Norse Code is 10

Yesterday was May 19, 2019, ten years from the release date of my first novel, Norse Code. It’s the story of people resisting powerful jerks who conspire to spark a cosmos-spanning apocalypse for selfish gain. Which sort of came true, so I guess I’m a prescient genius, hey, me. It’s very far from a perfect book. The pacing is erratic. My desperation to keep the story moving is painfully evident at times. There are a few wincingly problematic elements. Overall, though? I’m proud of this little book.

Norse Code came out in 2009. The global economy was a flaming wreck. Businesses were swinging scythes through their workforces, and my truly brilliant editor got laid off six months before my release date. There was no publicity plan. I’m not sure I actually had an assigned publicist. There were no advance reader copies, just a small number of bound typeset pages sent off to a small number of people. My agent at the time told me Norse Code would probably never earn back its modest advance. Can’t get mad at that stuff. I was a debut author with a paperback original in a tough time.

And I had some terrific support. Shawn Speakman stepped up at the publisher’s website to promote the book. Pablo Defendini and Theresa Delucci and Patrick Nielsen Hayden used Tor.com to help. Which is particularly amazing considering Tor didn’t even publish Norse Code. Bloggers and reviewers and friends whom I embarrassingly had to lean on for blurbs were extraordinary generous. But, really, I expected the book to disappear after six months.

By the time it came out, I was under contract with a different publisher for a pair of middle-grade novels. I’d kind of moved on. But here we are, ten years later. The book never became a break-out success, but it’s still in print and it did earn out that modest advance, and my seventh novel, Voyage of the Dogs,  came out in paperback a couple of weeks ago, and my eighth novel, Cog, will be released in October.

I’m still doing this. I’m still hustling. I’m still a novelist. I love this job. It can be hard and unglamorous and demoralizing at times, but it’s still the best job I’ve ever had and I’ll keep doing it as long as I can. And it began with a little book that did better than it had any right to.

Happy birthday, little book. I still kind of love you.

SCIBA Children’s Award luncheon talk

Last Saturday (10/20/18) I had the honor of giving a talk at the SCIBA (Southern California Independent Booksellers Association) trade show during the Children’s Awards luncheon. I talked about my middle-grade novel, Voyage of the Dogs, my relationship with dogs, and why I wrote the book the way I did. Here’s what I said:

 

I wrote a book about dogs on a spaceship, and I hope it’s okay if I spend my time with you today talking about how awesome dogs are. First, two spoilers. One: The dogs in my talk don’t die. Two: Some of the people in my talk do die, but we’re all going to be okay.

So. Dogs are awesome.

I used to be afraid of dogs. I was small, because I was a toddler and many dogs were bigger than me and they had horrendous barks and their teeth were bigger than mine. I think it was reasonable under those circumstances to be afraid of dogs. Then I got bigger and I was less afraid, but mostly indifferent to them. And then in 2006 I went to the Blue Heaven writer’s workshop on Kelly’s Island, which is an island in Ohio. It’s the kind of place where all the food is fried and ornithologists get drunk and ride around the island in golf carts.

I met a dog there named Sela. Sela was a pitbull and she preferred my company to that of the other workshop attendees because I spent the most time scratching her belly and playing fetch with her. By fetch I mean I would hurl really big rocks into Lake Erie and she would dive under the surface and then and come up with rocks in her jaws.

We’re talking, like, brick-sized rocks. Five to ten pounders. So because I was willing to scratch her and fling rocks for her, she loved me, and because she loved me, I loved her back. Those were the rules of the game.

Something in my brain switched. Suddenly I loved Sela, and I loved dogs in general. Hello, dog walking my way. I love you. Hey, there, dog in the park, something happened to my brain, and I love you. Howdy, dog on the other side of the street across four lanes of traffic, some kind of biological clock has gone off in my heart, and since you are a dog, I love you, and since I love you, you will love me back. Those are the rules of the game.

Clearly I needed a dog. So my wife and I went to a shelter and we got Dozer. Dozer was six months then and he’s eight years old now. He’s a Jack Russell mix and he’s kind of awful. He eats poop, he got kicked out of dog day care for being a jerk, and a few months ago he swallowed an entire dead ground squirrel. The ground squirrel was about a third his size so I was worried about him, but on the ride to the vet he just wore the most smug, self-satisfied grin I’ve ever seen on anybody. It’s nice when someone gets what they’ve always wanted, so I was happy for him. He’s awful, but he’s also earnest and beautiful and perfect.

Once we had Dozer and I started walking him around the neighborhood, everybody in my world changed. They smiled more. They were friendlier. They stopped to pet my dog and ask me questions about him. They responded to my dog’s fuzzy eyebrows and his wiggly butt. There were a few times that someone who was clearly upset about something thanked me for letting them spend a few moments with my dog. They told me they really needed it. I saw how my dog was soothing small pains. How he was healing tiny cracks in the world.

Dozer worked out so well that a few years later we adopted Amelia. Amelia is a mix of rat terrier, corgi, and coton de tulear, which is a fancy breed from Madagascar, so that’s obviously baloney. She is not fancy. She’s basically a tiny tangle of fur. She spends a lot of her time growling angrily at things. Things like me singing to her, or standing in a way she doesn’t like, or the invisible outrages that only a dog can see. She’s a clown, but not in the shrieking nightmare kind of sense. She’s just funny, and we love her to bits.

We got Amelia at a particularly stressful time that would prove to get more stressful as my parents’ health started a steep descent.

They’d been wobbly for a while, but it was becoming clear that the wheels were really coming off the cart. They both needed round the clock care, and there were ER visits, hospitalizations, short-term stays in temporary nursing homes, battles with doctors and insurance companies, and the task of managing all this fell to me.
This happens to a lot of people. I’m not at all exceptional in going through this. But I can tell you it is difficult.

They lived in LA, and I was in San Diego, two and a half hours away in really good traffic, and I made the decision on behalf of two fully grown adults who had lived through experiences that would have shattered me, immigrants who had survived under military occupation and violent political upheaval in Indonesia … I decided that they needed to uproot their lives, move to San Diego, and go into an assisted living facility where they could have 24-hour care, people to give them medications, manage oxygen tanks, wheel them to the dining room, be there at 4AM if there was an emergency.

When I found out that a lot of assisted living facilities had resident dogs, making sure the place I chose for my parents had a dog became a high priority. The place I ultimately found for them had a little furry mess of a dog named Winston. The first time I met him he was hiding under a chair, eating a cup of sour cream. Actually, he’d already finished off the sour cream and was just eating the little plastic cup. I noted that that in addition to another assisted living facility and a convenient cemetery with full-service funeral home, there was also a 24-hour pet hospital just down the street, so I was sure it was all going to be fine.

Winston wasn’t really a cuddler, but more of a little troll. My dad complained that he would run into his room, knock over the waste can, and then bolt, leaving chaos behind. I thought it was hilarious. My dad’s favorite hobby was complaining, and that was the kind of aggravation I thought was healthy for him. Good boy, Winston!

A couple of weeks before my mom died, I brought the dogs over for a visit. Dad and Dozer got along like buddies, and I lifted Amelia and dropped her in bed next to mom, and Amelia snuggled up to her. At this point Mom was very weak and could barely talk, but now she said the last thing I remember her saying. She said, “Soft. Sweet.” And that’s what Amelia is. She’s also obnoxious and weird, but primarily she is soft and sweet, and that’s all we needed her to be at that moment. She was awesome.

When mom died not long after, the hospice nurse asked if I needed anything. There were a lot of things I had to handle. Calling other family to tell them, helping my dad through the loss of his partner of more than fifty years, dealing with the funeral home. It was a lot. I told the hospice nurse I needed a dog. She went and found Winston, who was probably eating a plastic fork under a chair, and brought him over. I have a selfie of me and Winston from that day. I’m carrying him around, and the smile on my face is the genuine happiness I get when I spend time with a dog. Winston was my wing man. He was awesome.

Fast forward a few months, and my dad passes away. Again, I called the phone numbers I had to call, took care of the things I needed to take care of, and then my wife took me and our dogs to the beach. Again, there was dog snuggling, and again, they made things okay.

I know this is all very sad. Death is sad. I was sad when my parents died, and I’m sad now. I miss them. But aside from sadness and grief, death is also very stressful. In a situation like this, where death is preceded by a lot of elder care and logistical management, death is stressful and it’s exhausting, and time consuming, and it eats your brain.

I hadn’t written much during most of this period. So once I was through it, the obvious thing to do was get back to work. I didn’t have a book under contract, and I’d let go of my agent, so I felt a little bit free, but also a little bit rudderless and hosed. I’d pitched a book to the publisher of my previous three books, and they liked my idea, and they said encouraging things about working with me again, so I shouldn’t have felt so rudderless and hosed. The thing was, I didn’t want to write that book. Like the previous three, the book was dark fantasy. It had moral ambiguity and people doing mean things and fighting and it was dark. I thought about being in the headspace of that book for the year it would take to draft it, and I didn’t want to be in that headspace. I needed to not be in that headspace.

Also, it was 2016. The election. Things felt weird and broken. Of course, things have been weird and broken for a very long time, not just since 2016. But maybe this was a particular flavor of weirdness. A particular sensation of brokenness. And maybe somehow, in some way, I thought I could maybe try to write a book that helped alleviate a little bit of that.

I was on a plane flight a few weeks ago and I watched “Won’t You be My Neighbor,” the Mr Rogers documentary. After the 9/11 attacks, Mr. Rogers was taping some Public Service Announcements to help calm and soothe us, but he wondered after such a horrendous event, what possible good could he do. So he turned to the concept in Jewish theology of tikkun olem, repairing creation. And he said no matter what your particular job in life is, our most important duty is to help repair creation.

When they’re not mangling our shoes and digging up our gardens, dogs are terrific at repairing creation. So I decided to write a book about dogs.

I put them on a broken spaceship, and I had their human crewmates leave them alone and abandoned, and I let the story be about these dogs fixing their ship, and fixing their own broken hearts, and finding a way to forge ahead and find their way to a new home.

We all need dogs. Maybe your dog is a cat or a bird or a reptile. Maybe your dog is a human being, a human partner or human friend. In a room filled with people like us, probably a lot of our dogs are books and our jobs involve writing books or editing books or selling the exact right book a person needs to inform them or empower them or give them pleasure or help them rest up for the next fight. By sharing our dogs, we seal some of the cracks in our painfully fissured world. We help repair creation. Like good dogs, we heal.

As teachers, as librarians, as booksellers, as artists, as writers, as parents, as friends, as partners, as strangers, as people in whatever our roles, we can make small repairs to things that are broken. The world cracks us everyday in a million little ways, and it’s my modest hope that my book about dogs can help mend things, even if just a tiny bit.

Thank you very much.

Lookfar

Stories are boats. They can be plain or they can be beautiful, but they are all vehicles, and their job is to take you somewhere. I got that from Lookfar, Ged’s boat in A Wizard of Earthsea. When I think about writing, I think about building boats. Ursula K. Le Guin’s boats did their job supremely well. I’m grateful she built so many of them.

“They tied up the boat Lookfar, that had borne them to the coasts of death’s kingdom and back, and went up through the narrow streets to the wizard’s house. Their hearts were very light as they entered into the firelight and warmth under that roof; and Yarrow ran to meet them then, crying with joy.” – A Wizard of Earthsea, Ursula K. Le Guin

Nasi Goreng Ayam

NASI GORENG AYAM
 
I’ve been asked by a few people for my recipe for nasi goreng ayam (Indonesian fried rice with chicken). My parents were Indo, and my dad made this sometimes but I stupidly never asked him to teach me how.
 
This version is ayam (chicken), but you can make it with tempeh, beef, shrimp, lamb …
 
First of all, there really is no recipe. There are so many variations of the dish that it’s more a concept than a recipe. And I’m probably breaking tradition in several ways. But what I did was check out the first three or four Google recipe search results to get the basic idea. The quantities are more or less winging it, but in general I go for more flavor than less, and I like it spicy.
 
So.
 
Cook some plain white rice. You could steam it, boil it, use your automatic rice cooking gadget, whatever. I use jasmine rice. The key is that it has to be cold, so day-old is best, but at least let it sit for two hours in the fridge. I’ve even used week-old rice from the freezer.
 
Fry a couple or a few beaten eggs. Set them aside.
 
Stir fry the following together in some hot (smoking) vegetable oil:
 
Some chopped vegetables (I like using carrots and green onions. I bet snap peas would be good.)
A couple or a few cloves of garlic, finely chopped.
A jalapeno or half a jalapeno or two jalapenos or other kind of hot pepper (How much really depends on how hot the pepper is.)
Ground cumin (half a tsp to 1tsp, maybe)
Ground coriander (half a tsp to 1stp, maybe)
Salt (maybe a tsp)
Chicken in bite-sized chunks
 
Get all this stuff well mixed together and at least partially cooked.
 
Add your rice. How much? It’s a rice dish, so you want enough to be the bulk of the meal.
 
Add in kecap manis (dark, sweet soy sauce). This is a key ingredient. It’s got a strong flavor, so start off with a small amount (maybe 1tsp), get it good and stirred in, and then add more if you like the taste and want more of it. But it should be enough to color the rice.
 
Throw in a teaspoon of sambal oelek (chili paste). This stuff provides a lot of the heat (and nasi goreng should have heat), but be careful with it. You can always add more as a condiment.
 
Add a wee bit of sambal terasi (shrimp chili paste) or shrimp paste. I’d really just use a little. Less than a teaspoon in most cases.
 
Get everything good and mixed in. The rice should be brownish by now.
 
Add in the fried egg, cut into strips or bits.
 
Serve with crispy fried onions on top (you could even use that stuff they put on greenbean casserole).
 
If you want, go all the way and get some krupuk (fried prawn crackers) on the side.
 
I think that’s it!
 
 
 
 

The ban

This is my dad in 1960 getting on a plane in the Netherlands, bound for New York and, eventually, for Los Angeles.

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Like my dad, my mom had lived in Holland for a bit over a decade after Indonesia got too dicey for Dutch colonials and their mixed-race descendants. So my mom came to the US in 1959 with her parents and siblings, and my dad followed once they were settled and all his immigration paperwork was in order and approved and he’d lined up an American citizen willing to sponsor him (arranged, I think, by a Catholic charity). I wish I’d asked him and my mom more questions about the actual process, but I know Indos (people of mixed Indonesian and European ancestry) came to the US under refugee legislation.

Only twelve years before my parents immigrated, the US was still applying strict immigration restrictions to Indos. Very few were allowed in the country.

Dad lived with my mom’s family in a tiny two-bedroom rented house in Venice, California until they got married two years later and rented another house on the same lot as my grandparents’. That’s the house I grew up in until the age of seven.

Look at my dad’s smile. He’s happy, excited, optimistic. If you knew my dad, these were not his default states. He’d been through stuff. He’d seen some shit. It damaged him.

I try to imagine what would have happened if he’d shown up to the airport after waiting a year or more, his papers all in order, with a suitcase or two and a guitar, ready to get on that plane and start his new life. And then I imagine him being prevented from boarding his flight. Or him landing in New York and being told he had to go back because Dwight. D. Eisenhower, without warning, signed an Executive Order in the night denying him entry. Or the same with my mom’s family, who arrived in New York by ship.

It would have been a bad thing. I might not even exist right now.

So, I’m taking the president’s EO very seriously and very personally.

We’re not safer because of this. We’re just worse.

Please call your representatives, or talk to your persuadable friends, or examine your own views, or send a letter to your newspaper, or donate money to the ACLU, or something else. Ideas in the link.

5 real things you can do right now to fight Donald Trump’s Muslim ban.

We Clever Jacks

This is an old-ish story of mine (like 9 or 10 years old) (quite old!) that I keep linking to around Halloween because it’s my only Halloween story. There’s also a podcast version produced by the fine people at Podcastle.

We Clever Jacks
by
Greg van Eekhout

We are so clever, we Jacks. It’s true, we can’t move around like the gobblers do, paralyzed as we are atop stoops and posts, with candles flickering in our emptiness. But we are clever. We grin at each other from porches and second-floor landings and sawhorses set out in front yards. We grin and grin, and we have a plan.

Grimacing Jack came up with it. He’s just a little five-pounder, our Grimacing Jack, perched on a step ladder by the Hansen’s mailbox, and he’s sharp as a broken lollipop.

He made first contact about two days ago. “Hi, Jacks,” he said. “I’m Grimacing Jack, and I think this year we’ll play a good and nasty trick.”

We all started introducing ourselves.

Laughing Jack.

Shrieking Jack.

Happy Jack.

Wailing Jack.

Screaming Munsch Jack.

All the neighborhood Jacks. We are such good Jacks, we Jacks.

“This year we’re not putting up with any of that stuff our patch fathers have always put up with,” says Grimacing Jack. “No smashing in the gutter, no tossing in the street. No blowing up with firecrackers. No being ignored into November, sagging and settling and getting mottled black and furry. No way, my Jacks. This year we’re gonna make it the Year of the Jacks.”

We love our Grimacing Jack.

But here’s a problem: We got no legs. We got no arms. We’re just heads. Expressive heads, sure, but still, just heads.

Grimacing Jack laughs. It’s a high-pitched, half-hysterical laugh, beautiful, night-piercing, sure to make a two-year old pee his bunny costume. If only his laugh could be heard by anyone but us Jacks.

How are we going to play a trick? we ask. Hard to play a trick stuck up on a fence post. Tricks are for creatures with legs. Tricks are for walkers.

“Oh, my lovely Jacks,” says Grimacing Jack, “Dogs got legs. Dogs can move around. Are we dogs? Is that the best we can hope for?”

No, Grimacing Jack. It sure ain’t. Tell us, Grimacing Jack. Tell us how to be.

“We got faces,” Grimacing Jack continues. “We got eyes that glow and mouths that gape. After they sawed our heads open and scooped out our guts and our seeds, they cut faces into us, oh, such funny faces.” Grimacing Jack falls silent, gathering his malice. Somewhere a crow caws laughter at us. (We hate crows. They peck us.)

“Now, listen, my lovely Jacks,” whispers Grimacing Jack. “Here’s what we’re going to do.”

And so, finally, the night falls, and the gobblers come out: ghosts and werewolves and pirates and ballerinas and TV characters with bags and pillow cases and fake plastic Jacks full of sweets. Unprotected against their mad whims, we Jacks grin in fright. But in our secret dancing flame hearts, we wait patiently for the signal.

It comes in a single word, spoken by Grimacing Jack, that contains untold generations of anger and sorrow and respect and mourning on behalf of our patch fathers, severed from the earth and mutilated and abused by gobblers big and small.

“Payback,” quakes Grimacing Jack in the cold-dew night.

And we Jacks go to work, using the only things we’ve got.

Laughing Jack changes his face to Demon Jack.

Wailing Jack trasnforms into Demon Jack.

Smirking Jack becomes Demon Jack. We all do.

Orange light dances within dozens of identical Demon faces.

Only Grimacing Jack keeps his own face, as is his right as our general, our warlord, our king.

What will the gobblers do once they realize that, even without legs and arms, we are not helpless? That even though we can’t walk, we can move? Will they drop their bags of treats and run? Will they crush chocolate bars and suckers and gummy bears under their shoes as they stampede for safety?

“Hey, someone switched my pumpkin,” says a gobbler cowboy.

“Yeah, mine, too,” answers a gobbler ninja.

“Good prank. Some kids from another neighborhood must have swapped ’em.”

“Yep,” says the cowboy. “Let’s go get ’em back.”

And the gobblers move on. There’s no fright. No panic. No gobbler mommies and daddies coming out of the houses to gather their little gobbler children, confused and terrified by a night ruled by Jacks.
Nobody realizes just how clever we Jacks are.

Long after the gobblers have gone to sleep, we seek answers from Grimacing Jack.

Now what, Grimacing Jack?

Why weren’t they afraid, Grimacing Jack?

Grimacing Jack, why didn’t they care?

But Grimacing Jack says nothing. He just grimaces.

When dawn comes, we see Grimacing Jack on the ground, half his face caved in where he fell or got knocked over. Many of us will find ourselves sharing Grimacing Jack’s fate.

That’s just the way of Trick or Treat. That’s how it goes for us Jacks.

But we still love our Grimacing Jack. He’s special, is our Grimacing Jack. Even all silent and smashed up, he’s trying to help us. We notice some little knotty bumps growing out of his skin. Little limbs. Not stunted. Just small. Unformed. Full of promise. He won’t manage to grow them before his inner light dies out, because he will be dead soon, our Grimacing Jack. We are all dying, we Jacks. But Grimacing Jack still tries to grow legs.

Thank you, Grimacing Jack, we say. And with the last of our strength, we all turn ourselves into Sorrowful Jack.

Maybe in next year’s crop there’ll be someone like Grimacing Jack. Someone willing to grow. Someone angry enough to organize. Someone who’ll figure out how to move beyond the porches and posts and stoops. Maybe there’ll be someone even more clever than Grimacing Jack.

And then, little gobblers, and then, such tricks we will play. Such clever tricks.

A quick tip about historical settings, or rather one historical setting

I’m working on a story set in 1943 Los Angeles, and by way of research and curiosity I read Raymond Chandler’s short story, “The Lady in the Lake,” published in 1943.

I was looking for clear indicators of the 1943 setting. There were few. Some depictions of a lightly developed LA neighborhood that’s probably quite developed today. The procedure for placing phone calls. A Glendale phone number being listed in the Other Cities phone book. But no contemporary popular culture references. Very little slang.

Chandler’s prose, of course, is a thing of its time, but I don’t know if that’s so much a reflection of the time as the fact that his style sort of came to define the time.

The one thing that did clearly mark the era was smoking. Everyone smokes. All the time. Outdoors, indoors, standing still, in motion. It’s as much a marker of 1943 as horses and carriages would be of 1843.

You wanna set something in 1943? Lean on the smoking.

San Diego Cracked-it-Con 2016

So a funny thing happened at Comic-Con International (also known as SDCC, San Diego Comic-Con, Comic-Con, or Help I Am Being Digested By 150,000 Nerds).

I was on this really super-great panel with awesome, super-smart people, and even though I was clearly the numbest skull on the stage, I don’t think I said anything career damaging. So, me, proud of that. After the panel, as is customary, we panelists herded ourselves up to Authors Alley in the Sails Pavilion for an autographing, run by the great bookstore folks at Mysterious Galaxy. Things were pretty quiet, so I got up to purchase a copy of Animal Badge, a new comic written by Naren Shankar and fellow panelist Javier Grillo-Marxuach, when I noticed someone waiting in front of the signing table for me to sign something.

So, I ran.

You know those roped windy switchback lines you’ve waited in for so many things? It was one of those. Nobody in it, so I was able to pick up some speed. Going around corners. On a bare concrete floor. Yes, I lost my footing. Yes, I went down. Yes, I felt something inside go snap.

But I got up! I hobbled to my chair at the signing table! I signed a couple of my books! I wondered how I was going to walk to the taco restaurant where I was going to have great tacos for dinner with friends and colleagues. Then I realized I should instead be wondering how I was going to walk to my car to go home which was probably more sensible than going out for tacos, given how much my ankle hurt. Then I was wondering how I was going to get to my car so my wife could drive me to the hospital, because, hell, you know, maybe I broke something? Then I was wondering why my pillow was so damned hard and why people were asking me if I was okay.

Yes, I passed out! I fell out of my chair! Onto the very same concrete floor that took me out the first time! I HATE THAT FLOOR!

My fellow panelists took good care of me, helped me get off the floor and back into a chair, gave me fluids and helped me avoid passing out again (Sherri L. Smith in particular was totally awesome), and folks summoned a whole string of convention center security people and first aid dudes and then EMTs. I got to ride out of Comic-Con on a gurney down VIP freight elevators and then in an ambulance out VIP loading docks.

I saw no celebrities.

Several hours later in ER, the verdict was a fractured fibula. Which made me a little glad, because it’s better to say you passed out from a fractured fibula than, like, bruised pride.

So, it’s going to be six weeks in a hard cast recovering from surgery, and that’s my Comic-Con story. And I’d like to reiterate that I continued to autograph copies of my books even with a fractured fibula. That’s pretty metal, I feel.

California Bones – the comic?

Well, yes, actually, there is a California Bones comic. Right now it’s a one-shot consisting of a nine-page story, a three-page vignette, and five character pin-ups, all drawn by the remarkably talented and pitch-perfect Ryan Cody. We’ll be bringing copies for purchase to Phoenix Comicon, possibly a few dozen copies to give away at San Diego Comic-Con, and arrangements are being made to post it for free somewhere online. In addition, I’ll be offering it at a nominal price at Comixology and a small number will be on sale in the next week or so on Etsy. (Etsy isn’t just about squid-shaped coffee mugs, you know.)

This is my first comic, and it was ridiculously fun and rewarding to work in a medium I’ve been a fan of since forever, and one I’ve aspired to work in for almost as long. And, seriously, Ryan knocked it out of the park.

I would love to do more. In fact, right now I’m working out details to collaborate with an artist on a four-page story based on one of my flash fiction pieces. Since I’m paying the artists who work with me a decent rate, this is not a money-making endeavor for me. In fact, it’s pretty costly. But if I can find a way to make it economically feasible, I’ll do more.

In the mean time, here’s a look at the cover and a peek inside.

CABones-cover     CABonespage5