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Happy Town review from the Bulletin of the Center for Children’s Books

The September 2024 issue of the Bulletin of the Center for Children’s Books has a nice review of Happy Town.

Keegan doesn’t like anything about his new home, Happy Town, apart from his new pals Gloriana and Tank, two fellow misfit kids who are also highly suspicious of this weird little high-tech town. In theory, Happy Town should be the perfect place to live—climate controlled under a dome, everything automated, and a slogan about how they “make happy.” The reality, however, is less an ideal home and more a corrupt mining town where anything purchased comes out of adult paychecks, things break with alarming frequency, and the brand advertising is incessant and exhausting. The intrepid trio discover it’s also pretty dangerous when all the adults become obsessed with meat (specifically the Happy Corp Meat Cramwich), and then realize that humans are also, essentially, made of meat. Yikes. Sometimes it takes an outsider to shake up a broken system, and Keegan, observant, independent, and empathetic, is the unprepared (but willing) savior here. Things go from intellectual property rights violations (all art produced in the school belongs to Happy Corp by default) to slavering zombies remarkably quickly, but when you live in a dome controlled by an eccentric bazillionaire with more money than sense, it’s a short slide down into absurdity. The humor is sharp-edged in a way that savvy young readers who are just beginning to understand capitalist cogs will likely find immensely satisfying. The friends are well-developed and distinct from one another, and although no other characters get much development, there are effective foils and allies for the three. Dystopias for the middle grade set are relatively rare, and this clever novel is a worthy addition to the mix. AS

Happy Town – Excerpt

Dear Reader:

Want to take a look at my upcoming middle-grade novel, Happy Town, coming out October 22, 2024 from Harper Colins? Well, scroll your way down and you can read the first four chapters. Or go right over to the publisher’s page with links to bookshops to pre-order it (or just outright buy it if you’re reading this after October 22, 2024). Or keep reading to find out what inspired me to write Happy Town. I’ve given  you so many options!

So, why did I write Happy Town?

“PLEASE WAIT, HELP IS ON THE WAY. PLEASE WAIT, HELP IS ON THE WAY.  PLEASE WAIT…”

Ever feel like help is not, in fact, on the way? On a recent trip to Disneyland, I followed a long day at the Happiest Place on Earth trying to buy midnight snacks at a huge national drug store chain. I used to know how to buy things, but I guess I’ve lost the knack, because all the self-check-out machine did was drone, “Please wait, help is on the way.” And, wow, that machine lied!

 The idea for Happy Town grew from this little episode. What if you dropped three kids in a place suffering technological breakdown, and help was never coming? And what if their town was built beneath a dome in the remote desert? What if it was owned by an Amazon-like corporation and run by a ridiculous but dangerous billionaire? What if every adult — every parent and teacher and first responder — was employed by the company, and the company turned them all into meat-craving zombies? And then the town ran out of meat.

This is a story about friends learning to survive by banding together. It’s about kids realizing their world doesn’t function the way it ought to. It’s about kids discovering who has power over them and struggling to do something about it.

“PLEASE WAIT AND REMAIN HAPPY, HELP IS ON THE WAY…”

There are also a lot of jokes about cardboard boxes, band instruments, and Meat Cramwich, the Microwavable Sandwich Crammed With Meat. (It’s vegetarian, except for the meat.)

I hope Happy Town gives readers of all ages a chance to laugh, to cheer, to cringe, to get excited, and even to get angry.

And if you’re a bookseller reading this, thank you. Bookstores are one of the few places where help usually is on the way.

Most sincerely,
Greg van Eekhout, author of Happy Town

[Production note: This excerpt is from an uncorrected proof. What does that even mean? It means there will likely be spelling, punctuation, and formatting errors. But don’t worry! They’ll all be corrected in the final version of the book. Probably.]

 

CHAPTER ONE:

“Welcome to Happy Town. We Make Happy.”

The cow-sized blimp sails over our new house, displaying the Happy Town motto in glowing letters. I still don’t know much about Happy Town, but I do know that Happy Town doesn’t make happy. Happy Town doesn’t make anything. They sell everything, though: diapers, donuts, drones, phones, toilet paper, toothbrushes, lawn mowers, luggage, abacuses, applesauce, athlete’s foot powder, art supplies, and thousands of other products. Happy Town is the biggest online shop in the world, and it’s also my new home.

“How are you liking Happy Town?” a woman with a camera and a microphone asks Mom. When people move to Happy Town they get interviewed for publicity and marketing purposes. It’s been happening all day up and down the street.

“Everything’s even better than we expected,” says Mom with great enthusiasm. “It’s so clean! So modern! It’s like living in the future! And we love our new house . . . I mean, box.”

The houses in Happy Town are all called boxes. The name fits, because all the homes are two-story boxes with sharp angles, painted the same white, gray, and pale green as the Happy Town smiley-face logo.

Stepdad Carl backs Mom up with a huge grin and a thumbs-up. “Great box. Terrific box.”

The camera woman makes a “keep-going” gesture with her hand, and Mom complies: “My husband and I got our job offers two weeks ago, and we’ve only been in town one night, but it’s already starting to feel like home. It’s been the easiest move we’ve ever done.”

Stepdad Carl backs her up with an even huger grin and a double thumbs-up.

Mom and Carl got married three years ago, and since then we’ve moved a lot because they got laid off from their jobs or were looking for cheaper places to live or places with better schools. I’ve gotten pretty good at starting over. And they’re not lying; the moving process this time really was easy. We packed most of our things in boxes and put those boxes in a bigger box that got shipped to our new box. Then we walked onto a plane in San Diego and flew to Las Vegas, where we were greeted by a Happy Town guide who showed us to a driverless vehicle that took us hundreds of miles down a private Happy Town road into the Nevada desert. It dropped us right in front of our box where our stuff was waiting, and that was it.

The camera woman turns her lens on me. “And how about you, Keegan? Tomorrow’s the first day of school. What are you most looking forward to?”

I’m taken by surprise that she knows my name, but I suppose it makes sense they’d know who was moving in. “I’m looking forward to art class. The art supplies are supposed to be really high-tech and cool.” She nods approvingly.

My last school didn’t even have art classes, and I’m genuinely hopeful about what Happy Academy has to offer, even if I already miss Topher and Nolan and Trin, the best friends I’ll ever have. I hope they don’t forget me.

“One last question for you all,” the camera woman says. “What would you like to say about Arlo Corn?”

“Oh, he’s a genius,” Mom says without missing a beat.

“A total galaxy brain,” Carl says.

With that, the lens is back on me.

What should I say? I only know two things about Arlo Corn. One, he’s the owner of Happy Town, both the company and the actual town. Two, he’s a multi-billionaire. Should I admit that’s all I know? Everyone seems to want me to say something else.

Mom and Carl are looking at me. The camera woman is looking at me. Her lens is looking at me. The camera woman clears her throat. “Keegan, your thoughts on Arlo Corn?”

I should just go with the flow.

“Arlo Corn is a genius,” I say.

Grins. Thumbs. Nods.

The camera woman stows her camera away and brings out a pad. It’s a contract for Mom and Carl to sign, something about giving Happy Town permission to use the video and our likenesses in any format, for any reason, forever.

They sign it, the camera woman moves on to the next new family, and we go inside our box.

Before I shut the door, I watch the blimp make another pass over the street. The mobile billboard glitches, the letters scrambling into visual noise.

“Hey, Mom . . . ?”

“Yeah?” she calls from the kitchen.

After a blink, the sign corrects itself, once more displaying the Happy Town slogan.

“Never mind.”

 

CHAPTER TWO

The advertising blimp is back the next morning, displaying the weather report.

Seventy-four degrees, Fahrenheit.

Thirty percent humidity.

Chance of rain: zero.

Chance of snow: zero.

Chance of happiness: one hundred percent.

All the zeroes are little pale green happy faces.

The report switches to an ad for Sniffree. “Keep your family fresh with Sniffree body wash and you’ll never have to sniff them again.”

I take a nose sample of my armpits. The very last thing I want to do on my first day of school is be found sniffable.

A bread-loaf-shaped vehicle whispers up the street and stops at the corner where a cluster of other kids from the neighborhood wait. The vehicle—a “conveyor,” as it’s called in Happy Town—is my ride to school. I follow the others aboard and notice there’s no driver in front, just a camera aimed at the passengers, who seem fairly quiet for a load of kids. Nobody’s screaming. Nobody’s throwing paper airplanes. Nobody’s making goofy faces out the windows, and everyone’s facing forward.

I claim an open seat and scoot over to the window. A girl drops herself next to me, and I’m about to say hello when she turns to a very large boy across the aisle.

“Hey, Tank.”

The boy grunts and vaguely moves his hand. I don’t think he’s being unfriendly, just very absorbed in his book, a little paperback with a lot of pink and violet on the cover and a title written in red cursive.

“HEY, TANK,” she tries again.

He blinks as if awakening to the world. “Oh, hi, Gloriana,” he says with great cheer. Then he dives back into his book.

The conveyor sets off past the white, gray, and pale green houses.

Sorry. The boxes.

“Please sit back, relax, and enjoy our journey to school,” says a perky recorded voice. “If you’re new to Happy Town, welcome! Let’s show you around. Look to your left and you’ll spot the Fulfillment Center, where most of your parents work.”

The Fulfillment Center is a concrete hockey puck, the same colors as all the rest of the buildings. Neither Mom nor Carl work there. Carl is an elevator mechanic who works all over the city. Mom is a thermal duct deployment manager, whatever that means.

“As you probably know, ‘fulfillment’ has different definitions. It can mean satisfaction, or contentment. And it can also mean delivery of a product. That’s what our Fulfillment Center does. It prepares products for delivery all over the globe, which makes people content. When you’re older, maybe you’ll get to fulfill the world’s wishes and dreams.” “You new?” the girl next to me asks.

“How’d you know?”

“Most people in Happy Town are new. Plus, you’re getting nose prints on the window.”

I move my face away from the glass. “How long have you lived here?”

“Eight months. I’m an old-timer.”

I start to ask her about life in Happy Town, but the conveyor speaks again. “Sasha, please put away your gum. Tank, please put away your book and pay attention.”

A boy a few seats in front of me spits his gum into a wrapper, neatly folds it, and tucks it in his pocket.

Tank says “Unh” and gives a distracted wave. He turns a page.

The recording points out shops, offices, temples and mosques and churches, elevated sidewalks connecting the high floors of the buildings, and MICE, the self-driving carts that zip out of holes in the streets and deliver groceries and household items throughout the city.

“The MICE network is a prototype of the delivery system Arlo Corn envisions in every city of the world. It’s merely one of Arlo Corn’s many innovations. Think of Happy Town as a laboratory where Arlo Corn’s best ideas are tried out and perfected so they can be applied to other Happy Towns. Ours may be the first, but soon there’ll be Happy Towns everywhere. Under the sea. In orbit. On the moon. And Mars. And one day, on planets across the universe!”

Gloriana snorts. I don’t know what she finds snort- worthy, but I decide to mind my own business and focus on the tour.

“As we pull into Happy Town Academy, we’d like to draw your attention to the heart and brain of our city, Corn Tower, where our founder Arlo Corn spends long hours planning for a future where all citizens prosper, where there is no poverty, no hunger, where every need is fulfilled.”

I crane my neck to gaze up to the top of the white spire looming over the rest of the city. The only thing taller than Corn’s office building is the clear glass dome that encases the entire city, protecting us from heat and cold and wind and rain, sealing us off from the rest of the world.

CHAPTER THREE

My social studies teacher is a tired-looking middle-aged man in a tweed blazer worn over a Happy Town T-shirt. He stares at an invisible spot in the air and twitches his fingers, as though he’s typing. The electronic board behind him displays an ad for Meat Cramwich, the Microwaveable Sandwich Crammed with Meat.

I take an open seat in the second-to-back row. This is a strategic decision. The first four rows are easily noticeable, and the back row is traditionally where troublemakers sit, at least at my previous schools. But the second-to-back row is sort of a netherworld for the very average, the boring, and the inconspicuous. The second-to-back row cracks no jokes, creates no distractions, does as instructed, goes with the flow.

My worktable is a panel of frosted white glass, and my fancy chair bristles with adjustment levers and knobs. I try to raise my seat and tilt the backrest forward, but I must be doing something wrong because all the levers are stuck in place.

The girl from the conveyor slips into the seat beside me. “You’re Gloriana. I’m—”

“Hold on,” she says. “I have to do something before class starts.”

From a transparent backpack she produces a coffee mug with the Happy Town logo. She places it on her worktable with care, turning it a little this way, a little that way, as if searching for some perfect position. Finally, she gives the mug a satisfied smile, then, like a cat, swipes it off the table.

It hits the floor and shatters.

A few kids look over and whisper. The teacher continues to stare at nothing and phantom type.

“What’s your name?” Her face is friendly now, eyes warm.

“I’m Keegan. Why’d you do that?”

“It makes me feel better.” She takes another mug from her bag and sets it in front of me. “You should try it.”

If there’s a nonjudgmental way to ask her exactly what kind of weirdo she is, I can’t find it.

The teacher stops staring and twitching and addresses the class.

He says his name is Mr. Grossman, and it’s time for a quiz.

Was I supposed to have learned something? School’s only been in session five minutes. I don’t even know where the bathrooms are.

My table lights up with a screen containing questions and a virtual keyboard and some buttons.

Gloriana’s done with her quiz before I even get started.

It’s a short quiz, all the questions about stuff covered in the tour. When I’m done I hit SUBMIT. My score comes back nine out of ten.

“I got a perfect score,” Gloriana says, but it doesn’t sound like bragging. More like she’s disappointed. “How about you?”

“Nine. I missed the one on what MICE stands for.”

“Mobile Intracity Delivery Express. Intracity is both the I and the C. The D is silent.”

We spend the rest of class reading from Arlo Corn’s autobiography, From Womb to Winner. The first chapter covers his birth, at which apparently he did a great job.

After social studies comes math, then language arts.

Neither are subjects I’m good at. I’m disappointed when I

learn art class is only once a week, on Fridays.

I find Gloriana again at lunch, and she shows me how to use a cafeteria kiosk to bring up a vast menu of options.

There’s nowhere to insert a money card or cash.

“You pay with your eye,” she says.

“You what with your what?!”

“It’s a retinal scan, see?” She leans in close to the kiosk with her left eye wide open. A little round camera flashes green and beeps. “They deduct the money from our parents’ salaries. That’s how everything in Happy Town gets paid for, from a juice box to a refrigerator. Delivery is included.”

A segmented metal disk in the floor opens like a flower greeting the dawn, and little MICE crawl out of it, skittering all over the cafeteria floor and delivering orders of tacos and pizza slices and sandwiches and paper trays of chicken tenders.

Gloriana orders a rice bowl with a non-meat protein called “I Can’t Believe It’s Not Turkey,” then makes space for me at the kiosk.

I order a rice bowl with actual turkey and pay with my eye. Less than a minute later, a MICE rolls up to us bearing our bowls.

Amid chattering voices, I follow Gloriana outside to a long lunch table. The sun is bright, and the air is warm.

“I guess with the dome keeping the weather out we can eat outside every day. That’s cool.”

Gloriana grunts with a mouthful of rice. “I’m from Ohio,” she says. “I don’t miss snow, but I always liked the wet season. Everything gets mossy and mildewy.”

“You miss mildew?”

“Sort of. It’s gross, but at least it’s natural. It’s real.”

I think I know what she means. I haven’t seen a single bird since moving in. Not a pigeon. Not a sparrow. No bees. No butterflies. If I dug into dirt would I find ants? Is there even dirt in Happy Town?

“Okay, so really, why’d you break your mug?” I ask.

She chews. I can tell she’s thinking. “I’ll make a deal with you. If you can go a whole month without wanting to break a Happy Town mug, then I’ll tell you.”

“I don’t think I’m going to want to break a mug.” Breaking mugs in class is not the kind of thing a go-withthe-flow guy does.

Gloriana lets out a dry little laugh. “I’ll keep bringing spares anyway. Just in case.”

CHAPTER FOUR

I come home from school during “family hour,” the brief window when Carl is home from his morning shift and Mom hasn’t yet left for her night shift. This means an early dinner, and then I can go to my room and draw mammoths and dinosaurs and spaceships and ignore my homework if have any, which I do not.

Carl presses buttons on the microwave while I join Mom setting the table.

“How was school?” she asks. “Were you social?”

“A little bit.” The dinnerware is new, the spoons and forks and knives all embossed with the Happy Town logo. “I talked to a girl on the conveyor. She’s in a couple of my classes.”

“Is she pretty?” Carl asks in a teasing tone.

My eyes roll of their own accord. “I didn’t check. She knocked a coffee mug off her desk in homeroom. On purpose. I think she may be a human-cat hybrid.”

Mom puts out Happy Town drinking glasses and napkins. “She sounds like trouble.”

“Nah, the teacher didn’t even care. He was staring at nothing and pretending to type. Maybe it’s all a Happy Town thing.”

“Just please make good choices, Keegan.”

“I will,” I say with a little impatience, because I’ve made this promise at least a dozen times in the lead-up to the move here.

The microwave bings, and Carl plates up sandwiches with tall stacks of meat patties between shiny buns. He presents them like a chef debuting a new recipe. “What do you think?”

“They’re very vertical.”

“Right? This is Meat Cramwich, the Microwaveable Sandwich Crammed with Meat. I saw an ad for them on a blimp and figured we’d give them a try. They came right to our door by MICE. Isn’t that amazing?”

“But you’re a vegetarian.”

“Meat Cramwich, the Microwaveable Sandwich Crammed With Meat, is vegetarian. Except for the meat.” He takes a big bite and makes happy eating noises.

I take a smaller bite.

Carl watches me expectantly.

“It’s good,” I assure him. “Real good.” A more honest answer would be “It’s not exactly delicious but the salt and fat make me want another bite.”

Mom gives me a concerned-mom look. “You don’t have to finish it if you don’t like it.”

“It’s fine.” I down another bite to show her how fine it is. “It’s just . . . we usually have Indonesian food on Mondays.”

My dad’s Indonesian, and even after the divorce, even after Mom married Carl and we moved in with him, we kept up the dinner tradition.

Mom’s eyes soften. I can tell she’s frustrated with herself. “You’re right, Keegan. We haven’t really been thinking about how hard this move was for you. We wanted to give you a better life, a better education, a better future, but that doesn’t mean we have to leave everything behind.”

“We’ll do Indonesian tomorrow,” Carl assures me.

“And then next week we’ll move it back to Monday. Sound okay, kid?”

“It’s fine,” I say again, reminding myself of my plan to be a go-with-the-flow guy. And to prove how much I’m flowing, I gobble down the rest of my Meat Cramwich, the Microwaveable Sandwich Crammed With Meat.

 

Writing in 2022

There’s a large and not very cheerful discussion to be had about writing and publishing in 2022, but that’s for another blog post. This one is about what I wrote this year. Our value is not based on how productive we are, and as a writer, I don’t judge my year on how many words I wrote. But I’m a little proud of what I got done. So, here’s what I did:

Wrote and revised The Ghost Job, my next middle-grade novel, out in Fall 2023. It’s about young ghosts who do heists. The big job is a device that restores ghosts to life.

Wrote and revised a media tie-in novelization of a popular animated TV series.

Wrote another volume in the same series. I don’t know when either of these will be out, but I’m assuming some time next year. They’re both for the global licensing division of the corporation that owns these properties, which means they’ll be published globally, but not necessarily in the US.

Also wrote two picture books, a new category for me, and it was a very fun and also very challenging exercise. I hope to go on submission with one or both early next year.

So, rough estimate, this year I wrote about 125,000 or so words of new fiction, not counting revisions.  That’s A LOT for me, and probably pushing the edge of what I can do without burning out.

I also had a new middle-grade released, Fenris & Mott. And Weird Kid came out in paperback.

Already on deck for next year is another middle-grade novel with a first-draft due date of June, and also a final draft of one of the media tie-ins with final-draft due date in March. And my publisher will be releasing The Ghost Job in October.

I’m grateful I get to keep being a published writer for the time being.

Oh! Also posted my first fic on AO3. That’s all I’m saying about that!

 

Brief Notes on Middle-Grade Voice

I thought I might start posting writing craft tips. I don’t have the time or energy to write actual articles or essays, but I can summon up enough goomph to grab some bullet points from various talks and presentations I’ve given. Below is a bit on voice from a Zoom talk I recently gave to creative writing program at the University of British Columbia. 

One of the things that distinguishes middle-grade fiction from other age categories is voice. Here’re a few bullet points to consider when writing for kids, when analyzing voice, and when developing your own voice:

  • Dialog is not voice.
  • Dialog is a reflection, but not a complete revelation, of interior thoughts and feelings and attitudes.
  • Dialog is how characters talk, but voice permeates every aspect of writing, from description to narrative.
  • Dialog is what comes from the mouth. Voice is what comes from the writer’s brain and heart.
  • How does a pre-teen see the world?
  • How does a pre-teen see themself?
  • What is a pre-teen’s emotional vocabulary?
  • What questions does a pre-teen ask about the world and the way it works?
  • Focus less on what kids sound like than on what it feels like to be a kid.
  • Still don’t know what middle-grade voice is? Read ten recent middle-grade books to get a hint.

Love,
Greg van Eekhout

I remain a placeholder

I still don’t know what I’m going to do about Twitter, but quiet and vacant though this blog has been, it’s still my house. I’m too slammed with deadlines to spruce it up, but I’m setting a goal of one blog post a week.

A boy and his uke

Greg with a blue ukulele and a pirate replica skeleton drinking booze

One year ago today I bought my first ukulele. We were staying downtown at Comic-Con, and I’d been playing my guitar quite a bit, but I’d left it at home and wanted something to strum. So I hoofed it a few blocks over to a pawnshop, saw this uke hanging on the wall, handed over my debit card, and beep-boop-beep they took fifty of my dollars (about twenty bucks more than I could’ve gotten the same uke elsewhere, turns out). From there I settled down at the Marriott poolside bar, looked up how to tune a ukulele on my phone, learned “You Are My Sunshine,” and fell in love.

I don’t really like ukulele music, not even when played by a great musician. It’s just not my thing. But I loooooove playing. Ukulele is so much easier than guitar. There’re only four strings! F-major, notoriously hard and gross for beginners on guitar, is just two strings on the uke. The string tension is low and the nylon strings are easy on the fingers. Everything I’ve ever played on guitar has sounded stiff and tortured and bad and learning a new song has always been a labor. But on uke I can play some Beatles, some Neil Young, a little Steve Earle, Tom Petty, Foo Fighters, Eddie Vedder, Nirvana, and Leadbelly (by way of Nirvana). I’ve even written couple of little ditties myself.

Listening to music has always been a big part of my life. Being able to pick up an instrument and play something myself has amazing. It’s exercised my brain and my fingers in ways that previously eluded me. It’s been a solace and a distraction in these troubled times. It is just so much stupid fun. Walking into that pawn shop was one of the best things I’ve ever done.

That said, I just ordered this inexpensive little parlor guitar because guitars are still the awesomest.

Neil Peart

I’m stunned at the news that Neil Peart died. He was the drummer and lyricist of my favorite band, Rush. Their music got me through rough days and made good days better. I was privileged enough to see them live dozens of times. I saw their very last show in 2015, and they were as great and powerful as ever.

Peart is widely considered by drummers, critics, and music lovers to be one of the top-three greatest rock drummers of all time. He was a monster and a technician and an artist.

I could go on about Peart and Rush for the rest of my life and I probably will.

One of my favorite Peart lyrics is “Bravado.” When I was in my early twenties, suffering undiagnosed depression, working a job I hated, feeling super emo, writing lots of short stories and not able to sell any of them, this song helped me keep going.

I remember the “Roll the Bones” tour at the Costa Mesa Amphitheater. Or maybe it was Irvine Meadows. This must have been 1992. At the end of “Bravado” they flooded the stage with a constellation of small spotlights, and then the spotlights spread out over the crowd. It was a visual reflection of the band generating creativity on the stage and then handing it over to the audience. Rush gave me a lot of head-banging, jaw-dropping moments, but that thing with the spotlights? Moves me to this day.

2019 – Well, that happened.

I’m not going to make a great big deal out of this, but any year that starts with a cancer diagnosis is going to be weird. 2019 was weird. What began with a late-2018 visit with my GP turned into thyroid cancer surgery in February. But other than some post-surgical bullfrog-like throat swelling and some stuff that’s supposed to stay inside one’s neck leaking to the outside, it was all really, really okay. I know people who’ve lost loved ones to cancer this year. I know people who are currently struggling with it. I got lucky. It was all so weird and unsettling, but I’m grateful. Not for cancer, but grateful for the love and support from Lisa, my wife and partner in all things, and from my friends and family, and from people I hardly know, and from people I didn’t expect to hear from. I’m grateful for good medical insurance. I’m grateful for good luck. But it was weird.

More upsetting (and expensive) (and frightening) was the palm pit Amelia, our little angry snuggly dog, ate in June, which got stuck inside her and made her very sick and required emergency surgery to get out. I know she and Dozer aren’t our children. Children are human persons. Our dogs are better than children because dogs are better than humans. We love our dogs. They’re awful.

On the job front, it was a very good year. COG, my eighth novel, came out. It showed up on more bookstore shelves then any of my other books. It was the book of the month for the OwlCrate Jr. subscription box. It’s even in Target stores, which is weird. My publisher sent me to New York, LA, Dallas, Austin, Orlando, and Philadelphia. I got to meet readers and teachers and students and librarians and booksellers and other writers and book lovers, and everyone was really, really nice to me. I got BBQ and watched live music in Austin. I visited Central Park and the Metropolitan Museum of Art for the first time. I ate dinners in airports for a week and checked into hotels ten minutes before the bar closed. I swam through school and airplane germs and got sick, and I’m grateful my publisher believed in my book enough to send me places.

Voyage of the Dogs came out in paperback. And I had a couple of short stories published: “Polly Wanna Cracker” in Wastelands 3 and “Big Box” in Uncanny. My agent and I sold two more middle-grade books to HarperCollins, so that’s my next year sorted. I’m currently wrestling with the edits on the first one, Weird Kid, and I have no idea what the second one will be. And rounding out the year, I sold a short story to the upcoming Clone Wars anthology. I get to play in the official Star Wars universe!

Lisa and I didn’t do any major travel this year, and we missed it. We’ll try to make up for it in 2020. I did fly up to Portland for a career spa with my friends, Deb Coates, Sarah Prineas, and Jenn Reese. Our spa included some amazing cocktails and the best sushi I’ve ever had. I went to the Nebula conference and World Fantasy Con, both in LA, which was a nice opportunity to see more friends.

I started playing ukulele and got kind of obsessed! I’ve been a beginner guitarist for like the last 80 years, and at San Diego Comic-Con I got a sudden craving to strum something, so I picked up a ukulele at a pawnshop and then got a slightly better ukulele and haven’t put it down since.

And, so, that was 2019. We didn’t do nearly enough to combat climate disaster. The Republican party and its supporters continue to make the nation a worse place. I had cancer. But for the most part, it was a good year, and I’m grateful to those of you I got to share it with. Thank you.

 

 

 

Flotsam

Flotsam

They roll in with the waves at the end of the spring storms. Coughing, sputtering, tangled in seaweed, they trudge across the beach toward the boardwalk, where they take up residence in stalls and stands that have stood abandoned since summer.

The midway games are dangerous and the prizes strange, not just the usual day-glo plush toys, but also mummified webbed claws and dried sea horses with too-human faces. The screams from the Tunnel of Love sound final. Attorneys loiter near the bumper cars.

In summer, the boardwalk smells of salt and deepest ocean mud. The fireworks on Fourth of July linger in the dark sky like bioluminescent jelly fish before sinking with stingers extended. Nobody says “ooh” or “aah.”

Bite into a hot dog and you’re likely to taste leviathan or kraken or triton or sea bishop. “Less fatty,” the vendor will growl if you complain. The novelty t-shirts may display funny slogans, but not in any language you know. The palm reader’s predictions are a litany of future atrocity and disaster, and she won’t stop, keeping a firm grip on your wrist, even if you weep and beg.

After Labor Day, the summer sun tires and the air begins to chill. Without a word, the boardwalk workers turn away from the t-shirt shops and midway games. They abandon the merry-go-round with riders still suspended upside-down above the beach. Your half-completed tattoo will have to wait till next summer.

The flotsam don’t look happy as they cross the sand. The beach is broad, and it’s been a long summer. Still, like fish called to spawn, they must wade into the surf, pushing against the waves, thrashing as water fills their lungs and they drown once again.

 

Norse Code is 10

Yesterday was May 19, 2019, ten years from the release date of my first novel, Norse Code. It’s the story of people resisting powerful jerks who conspire to spark a cosmos-spanning apocalypse for selfish gain. Which sort of came true, so I guess I’m a prescient genius, hey, me. It’s very far from a perfect book. The pacing is erratic. My desperation to keep the story moving is painfully evident at times. There are a few wincingly problematic elements. Overall, though? I’m proud of this little book.

Norse Code came out in 2009. The global economy was a flaming wreck. Businesses were swinging scythes through their workforces, and my truly brilliant editor got laid off six months before my release date. There was no publicity plan. I’m not sure I actually had an assigned publicist. There were no advance reader copies, just a small number of bound typeset pages sent off to a small number of people. My agent at the time told me Norse Code would probably never earn back its modest advance. Can’t get mad at that stuff. I was a debut author with a paperback original in a tough time.

And I had some terrific support. Shawn Speakman stepped up at the publisher’s website to promote the book. Pablo Defendini and Theresa Delucci and Patrick Nielsen Hayden used Tor.com to help. Which is particularly amazing considering Tor didn’t even publish Norse Code. Bloggers and reviewers and friends whom I embarrassingly had to lean on for blurbs were extraordinary generous. But, really, I expected the book to disappear after six months.

By the time it came out, I was under contract with a different publisher for a pair of middle-grade novels. I’d kind of moved on. But here we are, ten years later. The book never became a break-out success, but it’s still in print and it did earn out that modest advance, and my seventh novel, Voyage of the Dogs,  came out in paperback a couple of weeks ago, and my eighth novel, Cog, will be released in October.

I’m still doing this. I’m still hustling. I’m still a novelist. I love this job. It can be hard and unglamorous and demoralizing at times, but it’s still the best job I’ve ever had and I’ll keep doing it as long as I can. And it began with a little book that did better than it had any right to.

Happy birthday, little book. I still kind of love you.